I've been making tiny etchings for exhibition in Adelaide, South Australia and Hong Kong in November.
I decided to take on board with the idea as I often thought about doing it and also I always admired Rembrandt's tiny incredible etchings.
Small plates are so much fun to work with.
No big commitment or stress, it is easy to make much larger edition too.
Spectre and Gathering are both edition of 50.
I wouldn't have been able to print like that if I was working on usual larger plates.